10186-106 Street NW
780-488-6611 / 1-800-DO CRAFT

Monday - Saturday: 10am - 5pm
Thursday: 10am - 6pm
Free customer parking at back of building


cSPACE King Edward
1721 29 Avenue SW, #280

Wednesday - Friday: 11am - 5pm
Saturday: 10am - 5pm

Street parking available


Participating artists: Nicole Baxter, Linda Chow, Robin Dupont, Milt Fischbein, Matt Gould, Terry Hildebrand, Brad Keys, Eveline Kolijn, Diane Krys, Darren Petersen, Jean-Claude and Talar Prefontaine, Shona Rae and Simon Wroot.

Donate Now Through!


Alberta Craft Blog


Meet the nominees: Tom McFall Honour Award 2018

Tom McFall-Honour Award is given to a volunteer, supporter, teacher, or craftsperson, making a significant contribution to Alberta’s Craft culture. 

◾️Irene Naested. Nominated for her commitment to teaching and education. Naested is a creator of arts programs, books and resource publisher, and develops opportunities for artists to exhibit their work. She received the Canadian Art Educator of the Year Award in 2014.

◾️Natali Rodrigues. Nominated for her commitment to her art, the education of others, and a leader of Craft. She is currently the president of the international Glass Art Society and the president of the Alberta College of Art and Design Faculty Association.

◾️Jennifer Salahub. Nominated for studying, researching, and telling the stories of Craft in Alberta. With a Ph.D from the Royal College of Art in London, Salahub expertise lies in contextualizing and critiquing form and materials across craft spectrums and was instrumental in the creation of MFA in Craft Media at ACAD

◾️Vikki Wiercinski. Nominated for her advocacy for home-grown artists. As the primary organizer of the Royal Bison Art & Craft Fair in Edmonton for the past eight years, her investment of time and energy continues to support craft artists, makers, and designers.

◾️Kari Woo. Nominated for her service to the promotion, education and advancement of the Fine Craft community. Kari Woo is a practicing artist and was the co-founder of the Shiny Fuzzy Muddy Collective in Vancouver, and the New Craft Coalition and INFLUX gallery in Calgary.


Meet the nominees: Alberta Craft Excellence Award 2018

This award celebrates an established craftsperson who excels in their area of craft.

clockwise: Ana Buzzalino, Linda Chow, Linda McBain Cuyler◾️Ana Buzzalino grew up in Buenos Aires, Argentina, where sewing was part of her life at an early age. In early 1983, Ana moved to Calgary where she has been a teacher on a variety of quilting techniques for the past 30+ years. A frequent contributor to Quilting Arts Magazine and Quilting Arts TV, Ana has won several awards at local, national and international shows, including Quilter of Distinction at Heritage Park for 2019.

◾️Born and educated in Hong Kong, Linda Chow came to Canada to attend the Alberta College of Art where she studied with eminent jewellery artist Harold O’Connor. Establishing her goldsmithing business after graduation, she has won numerous awards in her 30-year career. Her work has exhibited in galleries across Canada, the United States, and the United Kingdom as well as in various private collections.

◾️Linda McBain Cuyler creates rich, textural fibre art focusing mainly on landscapes and garden-scapes, referencing the interaction between people and nature. A full-time artist for over 20 years, she is an active member of the art and textile art community. Highlights of her career include being selected for the 2009 Craft Biennale in Cheongju, South Korea and the Cultural Olympiad during the Vancouver 2010 Winter Olympics.


Meet the nominees: Linda Stanier & Family Memorial Award 2018

This endowed award celebrates the life of Linda Stanier and honours excellence in studio ceramics.

◾️Tanya Doody is a ceramicist with an evolving practice that likes to engage ceramics in new and unexpected ways. Working in ceramics for over twenty years, she designs and makes functional ceramics for daily use in under Tanya Doody Ceramics, while making poetic use of ceramic materials in her live performance art.


 ◾️Dawn Candy is a visual artist living and working in Red Deer, Alberta. Little Sister Pottery is her collection of functional ceramics inspired by pattern, rythm, and landscape, both wild and cultivated.

This endowed award celebrates the life of Linda Stanier, honouring excellence in ceramics. The nominees should work and reside in Alberta and be primarily a studio-based, full-time professional ceramic artist. 


Meet the nominees: Alberta Craft Early Achievement Award 2018

The Alberta Craft Early Achievement Award celebrates an emerging craftsperson or student, in recognition of their achievement to date and their potential.

◾️Carissa Baktay is an emerging glass artist from Calgary and a recent graduate of the Master of Glass Art and Science from VICARTE in Lisbon, Portugal.

Since her introduction to glass in 2008, she has been constantly, and greedily, trying to accumulate new experiences that renew her complex relationship with the material. An instinctual maker, her contemplative process-based work is an attempt to understand and to make physical her memories and dreamscapes. 
Combining laser cutting, wool spinning and glass making techniques, her work is a journey towards emotional honesty through the process of making as a means of discovery. Using alternative technologies and mediums combined with time honoured glass making methods, her experimental glass work breaks the mold of traditional glass techniques.

She has most recently been working as an assistant and Artist in Residence at glass shops in Iceland, Norway and Canada while focusing on her experimental studio practice.


◾️Caroline Forde is a textile and surface pattern designer with an affinity for sustainability and small- scale production.

After graduating from Sheridan College (2015) she traveled west to Calgary to complete her BFA in Fiber at the Alberta College of Art and Design (2017).

Juggling a studio practice of instructing, designing and printing, Caroline maintains her position in the industry as an emerging designer and dyer throughout the fine craft and film industry.

In her work she purposefully references Canadian climate, topography, local flora, fauna and the idea of the mystic north. As a conscious designer she is invested in creating sustainable and ethically produced textiles. Her goal is to dye and print textiles in a way that uses less water, is non-toxic and bioedegradable and create colour pallets from humble plants and natural resources. Through her work, Caroline exhibits an ambition to increase sustainable literacy and practices in the fashion and textile industry.

When she isn’t creating custom costumes for film you can find her the Slate Studio building working away on her new line of hand printed textiles.

◾️Pamma FitzGerald’s first fine arts degree from the Alberta College of Art and Design was in Drawing (2009), but her second was in Ceramics (ACAD, 2017). She has merged her drawing skills into mixed media, and specifically ceramics. In her words “I aim to continue merging collage and clay, words and images, and exploring creative collaborations.” She is fascinated by the combination of weight, shape and capacity that ceramics have to carry imagery, and recognizes enormous potential for re-thinking ceramics artistic expression. 

She has been recognized with the ACAD Board of Governor’s Graduating Student Award for Artistic Achievement in Ceramics (2017); an Alberta Foundation for the Arts Cultural Relations Project Grant; and the Illingworth Kerr Travel Study Scholarship, among others. Her works have been displayed at the Alberta Craft Council Gallery; the Art Vault, Calgary; at 2017 Dish, an International Juried Exhibit at Medalta Pottery, Medicine Hat. She has had pieces purchased for numerous collections, including the Alberta Foundation for the Arts; Encana collection; the Canadian Embassy in Washington, DC; and private collections in England, Canada, France and the United States.


◾️The late Ginette Lund was born in Gerardville, Quebec in 1949. When she was just 6 months old, her family (and 6 siblings) migrated to Marie-Reine, AB where they spent their childhood into early adulthood. Ginette used to sing on the radio frequently in Peace River, AB, was a GoGo Dancer, and was known as the troublemaker. Ginette enjoyed crocheting and knitting for her family, painting and crafting. Ginette had three grown children, four grandchildren and had been living in Grande Prairie AB for the past 20 years. Lund spent the past year launching her art career. Lund and her daughter, Kasie Campbell, received a grant from the Edmonton Arts Council to create a series of collaborative works through traditionally feminine craft. Their work Matrilineal Threads, was exhibited in the Works Art and Design Festival this summer. In 2019-2021, a portion of their work will travel through the TREX programs with the Art Gallery of Alberta and the Alberta Foundation for the Arts in a travelling Exhibition titled Real Women.

◾️Mynthia McDaniel is a Ceramic artist based in Calgary. She has a Bachelor of Fine Arts in both printmaking and ceramics and has exhibited locally and internationally. Her main passion after pottery is travel, and whenever possible she will find a way to combine the two. She has completed artist residencies in Shigaraki (Japan), Dubi (Czech Republic), and most recently at Medalta in Medicine Hat.

◾️Allison Tunis has a Bachelor of Fine Arts degree from the University of Alberta, and a graduate diploma in Art Therapy from the Vancouver Art Therapy Institute. She works mainly in cross-stitch embroidery, but also explores mixed media involving acrylic painting and photo transfers. She has also self-published a body positive colouring book entitled Body Love: A Fat Activism Colouring Book.

Tunis’ works aim to develop a discourse around cultural conditioning and societal implications of restrictive standards of beauty, as well as the discrimination and violence experienced by people living in marginalized bodies, with a particular focus on the experience of fat people.

Allison is currently working on a large commission series for an upcoming women’s hub in Calgary, along with a number of other projects that have yet to be announced. As well, Tunis runs the Queer Youth Art Club, funded by a Community Arts Grant from the Edmonton Arts Council, out of the Alberta Sex Positive Education & Community Centre, where she facilitates twice-monthly workshops for LGBTQIA2S+ youth and allies to create art in a safe and inclusive space and connect with their peers.

This year's Alberta Craft Awards Ceremony will take place on October 20, 2018 in Calgary, Alberta. Event details


2018 Robert Jekyll Award Recipients - Congratulations to Tom McFall! 

The Canadian Crafts Federation / Fédération canadienne des métiers d’art is pleased to announce two recipients for this year’s Robert Jekyll Award for Leadership in Craft.  The 2018 award recipients have each spent long careers supporting craft and its makers across the country. Both also played integral roles in forming and developing the CCF into the influential and vibrant organisation that it has become.

Tom McFall and Anne Manuel have both recently retired from long years of service as Executive Directors of provincial craft organisations.  The CCF is delighted to take the opportunity this year to acknowledge and celebrate their stellar contributions to the national craft community.

Tom McFall spent 19 years as the executive director and curator of the Alberta Craft Council, now recognized nationally for having an extensive exhibition program, running innovative marketing projects, initiating and leading national events, and enjoying a high level of member satisfaction.

“Tom was always at the forefront of fine craft on the provincial, national and international stages” says Tara Owen, Chair of the Board, Alberta Craft Council  “The more that I came to know Tom, the more I valued the insight and leadership that he provided to everyone within the craft sector…The craft sector of Canada has benefitted immensely from Tom’s work.”

Tom has already been recognized with many awards, including an Alberta Centennial Medal, the prestigious Rozsa Award for Excellence in Arts Management, a Queen Elizabeth II Diamond Jubilee Medal, and the Syncrude Mayor’s Award for Excellence in Arts Management.  The CCF is pleased to add the Robert Jekyll Award for Leadership in Craft to Tom’s extensive list of accolades.

Anne Manuel has been the backbone of the craft community in Newfoundland and Labrador for many decades.  She held the helm of the Craft Council of Newfoundland & Labrador for 33 years of its 47-year history, building and developing a sector in the province while leading the Council through many challenges and changes.

“Anne’s contribution over the years has been vast, varied and instrumental in creating one of the strongest craft communities and industries in Canada.” says Rowena House, Executive Director, Craft Council of Newfoundland & Labrador “The range of her involvement spanned from writing a simple letter to a rural craftsperson with some information relevant to their work, to taking an active role with the Canadian Craft Federation.”

Anne has been instrumental in organising international events including a very successful international Fibre Conference in Newfoundland in 2015, which brought 150 participants from around the world to Gros Morne National Park.

The Robert Jekyll Award for Leadership in Craft celebrates distinguished contributors to the craft sector, and is one of the highest markers of exceptional commitment to the development of the craft community in Canada. Tom McFall and Anne Manuel certainly fit the bill.  

The 2018 awards will be presented on October 12th, 2018 in Halifax, NS, during the Canadian Crafts Federation’s annual conference “Placemaking.”  Join us for the conference, and to celebrate the excellent work of these key figures in Canadian craft.

Original article by the Canadian Crafts Federation / Fédération canadienne des métiers d’art. Link here.


Charles Lewton-Brain: Artist, Goldsmith, Educator, Problem Solver … alchemist 

Charles Lewton-Brain: Artist, Goldsmith, Educator, Problem Solver … alchemist[1]

Written by Jennifer E. Salahub Professor, School Critical and Creative Studies, ACAD & ACC Board Member

Photo by Dwayne Norman

Quiet this metal!
Let the manes put off their terror, let
them put off their aqueous bodies with fire.
Let them assume the milk-white bodies of agate.
Let them draw together the bones of the metal. 

Ezra Pound “The Alchemist:  Chant for the Transmutation of Metal” (1912)

Caveat:  In writing this essay, I simply refuse to use the term retire – for we all know that artists like Charles Lewton-Brain are much too engaged to even consider such an abstract concept.  However, he is “stepping away” from the Alberta College of Art and Design, and given that so many of our makers were taught or mentored by Charles since his arrival in 1985, I am taking this opportunity to consider how his presence has helped shape our identity as an engaged craft community.   

Charles Lewton-Brain has been described as an internationally renowned artist, goldsmith, educator, author, and tireless innovator.  Alongside an active studio practice and full teaching load, he has lectured and taught workshops internationally, created his own publishing company (1994), and co-founded the world’s largest educational internet site for the jewelry, gemology and the metals field – (1995).  His craftsmanship has been recognized by his peers – an elected member of the Royal Canadian Academy, a distinguished Fellow of the Society of North American Goldsmiths (SNAG), a Fellow of the Gemmological Association of Great Britain.  In 2005 he received the Alberta Craft Council’s Honour Award and in 2012 we all celebrated when he was awarded the prestigious Saidye Bronfman Award for fine crafts (Governor General's Award in Visual and Media Arts) which spoke to his studio practice (from performance-oriented body art to fine jewellery), his role as an educator (ACAD and worldwide), and his staunch belief in Canadian craft (his work with the Canadian Crafts Federation and the Alberta Craft Council (five years as Board Director).[2]  

Charles’s work ethic is a daunting model for students – and colleagues for that matter – it was developed in Pforzheim Germany where he trained to be a master goldsmith with Klaus Ullrich, himself a celebrated designer, master goldsmith, and master silversmith. Not surprisingly, what motivated him as a student continues to inform his practice and motivates his students.  In his words,

What Ullrich and his contemporaries did was say that an accidental effect could be controlled and in fact utilized in a design and compositional element. This was against all the traditions in the field in Europe and was possibly a reflection of Pollock and other painters who chose the marks of process as compositional elements. (…)  This approach was a revelation for me; to listen to the material; to use the marks of working the material as conscious choices in design; to let nature show in the work.[3] 

Charles is an inspiring maker and teacher, his students have gone on to be recognized nationally and internationally as makers, as educators, as innovators, and as creative thinkers.  A former undergraduate called him the “absolute Guru of metalsmithing” while another declared, “I don’t think I’ve ever met someone who knows so much about anything/everything.”  He has served not only as a teacher but as a mentor for many ACC members, from makers like the Chairman of the ACC Board, Tara Owen to myself – a craft historian.  Charles is a passionate advocate for craft in Alberta and Canada – and his passion, contagious.

He is indeed a multifaceted individual –  a creator, a performer, a problem solver, and arguably an alchemist.  Anyone who has watched Charles fold forming – the innovative process he introduced to the world – will attest to the latter identity.  For there is no doubt when he sets to work that he has mastered alchemy as described in “The Alchemist:  Chant for the Transmutation of Metal” by Ezra Pound or defined by the OED as the “seemingly magical power of transmutation or extraction.”   On fold forming, Alan Revere, the American goldsmith confirms that, “As amazing as it may seem, nobody ever worked with metal this way in the more-than-10,000-year history of the craft.”  Revere explains the magnitude of the process as,

[A] series of techniques that allow rapid development of three- dimensional surfaces and structures. The dynamic and fascinating shapes created through this system are unachievable by any other method. The technique can be used to create complex high-relief forms and to resemble chased, constructed and soldered forms. All are produced from single sheets of almost any metal in a matter of minutes.[4]

In 2012, Robert Sirman, then director and CEO of the Canada Council for the Arts suggested that, “Artists are alchemists and [these] laureates are masters at transforming everyday experience into gold.”  Just consider the implications, both figurative and literal, when one of those laureates was Charles!  

In his renowned Cage series, Charles Lewton-Brain (goldsmith and conceptual artist) sets out to question the genre.  What is jewellery?  From the concept to the finished product he relies on his skills as a craftsman and an innovator.  Each work begins as a meticulously constructed framework of welded/fused stainless steel wire that is then electroformed, literally grown in a copper-acid bath, and finally dressed in heavy gold electroplating.  Alchemy indeed.  The irregularly shaped gold cages vary in size and scope.  For his larger performative works it is the body of the wearer that is confined yet on display.  And, while these cages might frame an ear or even a neck, one hesitates to label them earrings or necklaces.  At the same time, in the more traditionally scaled works (necklaces, bracelets, brooches, rings) Lewton-Brain continues to challenge expectations; for instance, here we see him redefining the meaning of precious. The treasured stones that are being held captive in these gold cages are not what one expects to find in fine jewellery – for these are raw rubies, polished river rocks, and even frosted sea glass.   

Charles Lewton-Brain may be stepping away from ACAD, but he is neither leaving his studio nor the craft community. In fact, he will have more time to focus on what he loves.  The ACC Board of Directors want to thank Charles for all that he has done to promote fine craft, from serving on boards, organising symposia, speaking for us nationally and internationally, and finally I, as a craft historian want to thank him for his ability to recognize the importance of documentation – for without a history we are unable to move forward.  At the same time, we all look forward to seeing how Charles will transform his new everyday experiences into gold!

[1] An earlier form of this essay was published in the ACADFA Journal.  Spring 2018

[2] Should you be curious about these or his other achievements you might want to check out

[3] Charles Lewton Brain. The Origins of Fold Forming. Brain Press, 2008

[4] Alan Revere, Professional Jeweler Magazine, June 1998


Pamma FitzGerald - #Aguest 

An initiative by the Canadian Crafts Federation, the #Aguest series aims to present different types of creators talking about advice, current projects, inspiration, the role of craft artists in society and more!

Read about Pamma FitzGerald's work, creative process, and wild tales here.